▹ yinjane.chen｜天體殿堂 Heavenly Bodies（明信片鐵盒版）｜小誌
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2024 / 19 x 9.5cm / 八張一組 / Risograph printed 孔版印刷 / 鐵盒 23.5 x 11 x 6.8cm
天體殿堂意指天國般的美好形體，原作以8摺頁的冊頁繪製而成，全長33x528cm。
內容講述一隻沒有五官的野獸進入名為「天體殿堂」的人類世界，作品裡出現很多關於形象的隱喻：以「人形」為要求的入口設施，古代完美比例的人體雕像，似桃花源的入口背面竟是假山造景，遠古洞窟的動物形象壁畫，穿怪獸裝的人類等等。以野獸的視角觀看人類世界中人造景觀與自然、社會的小群體、似己非己等現象，關於掩藏／偽裝／歧異／究竟何謂完美形體的寓言故事。
Heavenly Bodies refers to idealized forms of celestial perfection. The work is created as an eight-fold accordion book, measuring 33 × 528 cm when fully unfolded. The narrative follows a faceless beast that enters a human world known as the “Heavenly Bodies.”
Throughout the work, the imagery is filled with metaphors surrounding form and appearance: an entrance that requires a “human shape” to pass through; sculptures of the human body based on ancient ideals of perfect proportion; a utopian, Peach Blossom Spring–like gateway whose reverse side reveals an artificial rock garden; prehistoric cave paintings of animal figures; and humans dressed in monster costumes.
Seen from the perspective of the beast, the work observes the human world through its constructed landscapes, the tension between the artificial and the natural, the existence of small social groups, and figures that appear both familiar and alien. The story unfolds as an allegory of concealment, disguise, difference, and ultimately, a reflection on what constitutes the “perfect body.”
【創作者介紹】
yinjane.chen
創作以繪畫、裝置、自出版和玩偶為主，擅長將符號轉譯、圖像解構並詩意地擺放物件，重建符徵與符指之間的關係。在展場內，她埋下多個視覺形式的線索，引導觀者進入她的思考邏輯，發掘隱藏在背後的另一層面或觀點。繪畫作品常運用炭筆、墨汁、壓克力顏料在紙張上，展現出細膩而深邃的視覺效果，不僅是視覺享受，更是情感和記憶的觸發。透過個人的規則和手法，她邀請觀者探索和感受作品中的深意和美感。
近期在粉紅堂 @pinkandgallery 製作玩偶及其周邊，自出版物曾參與台灣小誌市集、草率季、傻瓜書日、雅加達、東京、那霸等Art Book Fair。擔任2023TIVA台灣國際錄像藝術展和女性影展的主視覺設計，其藝術創作曾於台北偶戲館、臺南市美術館、高雄市立美術館和國立台灣美術館中展出。
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